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Theatrical Reading
The Eighth Life

9-10 October 2025

The Eighth Life (L’ottava vita)

Theatrical Reading
The theatrical reading “The Eighth Life”, directed by Salvatore Tramacere, will premiere on 10 October 2025 in Lecce, at the Cantieri Teatrali Koreja. The event is part of the Nationally Relevant Research Project From Post-Trauma to Ecology: Contemporary Gender Narratives in Slavic Cultural Texts, which investigates post-1989 texts as a key to understanding the metamorphoses of trauma, eco-social transformations, and gender identities. On stage, the three thematic axes of the project take on scenic form and voice: trauma and post-trauma emerge as the central thread, exploring the obsessive return to the past and the possibilities of self-reconstruction through memory and dream; eco-literature examines the links between environmental crises and social change, between sudden catastrophes and slow violence; gender narratives open up fluid spaces of identity construction, capable of breaking binary models and proposing new visions of contemporary society. The Eighth Life is a performance in which word, sound, and image intertwine. A visual landscape – composed of video, painting, film, music, and song – interacts with contemporary Slavic prose and poetry, creating connections between different worlds, times, and perspectives. Voices from Russia, Poland, Serbia, Croatia, Bosnia, Ukraine, Georgia, and Uzbekistan guide the audience on an emotional journey that traverses the personal and the collective, the intimate and history. With “The Eighth Life”, research becomes performance: literature, art, and critical thought merge into a single aesthetic experience, transforming knowledge into emotion, memory into vision, and narrative into shared experience.

Credits

“The Eighth Life” – Theatrical Reading curated by Teatro Koreja in collaboration with the Department of Humanities and the Isufi Superior Graduate School of the University of Salento.
  • Texts by
    Guzel’ Yakhina (Russia), Nino Haratischwili (Georgia), Hamid Ismailov (Uzbekistan), Anna Adamowicz (Poland), Małgorzata Lebda (Poland), Elvira Mujčić (Bosnia), Vira Vovk (Ukraine), Andrej Volos (Russia), Svetlana Vasilenko (Russia), Urszula Zajączkowska (Poland), Antonina Tosiek (Poland)
  • Project Coordination
    Gloria Politi – Professor of Russian Language and Literature
  • Artistic Direction
    Emanuela Pisicchio
  • Original Music
    Enrico Stefanelli
  • Visual Design
    Davide De Notarpietro, Salvatore Tramacere
  • Stage Direction
    Salvatore Tramacere
  • With
    Eleonora Lezzi, Emanuela Pisicchio, Enrico Stefanelli
  • Technical Staff
    Mario Daniele, Alessandro Cardinale, Antonio Nicolardi